Members of the Wedding Photojournalist Association use a combination of zooms and prime lenses. Nebraska-based Eric Francis often avoids zooms entirely; using only 20mm, 50mm and 135mm primes.
Prime Lenses are Brighter
Prime lenses can be four to eight times brighter than zooms.
Consumer zooms typically start at f3.5 at the wide-angle end, which is practically an f4. Zooming-in will quickly decrease the aperture to f5.6. Even professional quality zooms are only f2.8 at best. In contrast, prime lenses can be as bright as f1.4
- two stops (four times) brighter than f2.8
- three stops (eight times) brighter than f4
- four stops (sixteen times) brighter than f5.6
How to Use Prime Lenses
Primes can be used
- For available-light photography: taking photographs without flash. This results in natural-looking photographs. Flash doesn't work well beyond tens of yards or meters, so available-light can be the only choice for some situations.
- To isolate the subject. Primes are used for portraits of people. The large aperture results in shallow depth of field. This causes only the subject to be in focus, with the background pleasantly blurred. Attention is naturally drawn to the subject, without distractions from details in the background.
- To amplify bounce flash. Flash units are pointed at the ceiling in order to provide soft, even lighting. High ceilings (more than two floors high) can stretch the capabilities of powerful flashes. Primes allow the use of bounce flash even with high ceilings (churches, ballrooms).
Wide angle Primes (28mm to 35 mm equivalent on FX or EF digital SLRs)
20mm to 24mm on 1.5x DX or 1.6x EF-S cropped digital SLRs.
Camera and lens manufacturers have been ignoring this segment of the market, preferring to concentrate on zooms. Sigma is the exception, with f1.8 20mm, 24mm and 28mm primes.
In contrast, the fastest Nikon and Canon 20mm is f2.8, though Canon and Nikon do have f1.4 24mm lenses.
Wide angle primes need to be used with caution. With their wide field of view, some subjects can be disturbingly just slightly out of focus - neither in focus nor blurred out into insignificance. They are more difficult to use properly and should be avoided by beginners.
Normal Primes (50mm equivalent)
28mm to 35mm on 1.5x or 1.6x cropped digital SLRs.
Commonly said to approximate human vision, providing a natural perspective view. Some photographers disagree, preferring wide angles and portrait lenses and skipping this intermediate range entirely.
Sigma also supports this range best, with an affordable 30mm f1.4 autofocus designed for cropped digital SLRs.
Nikon has a 35mm f1.8 DX (cropped) AF-S lens. There is an older 35mm f2 FX AF autofocus but the expensive 28mm f1.4 is no longer in production, and the 28mm f2 and 35mm f1.4 are manual focus lenses.
Canon does have a 28mm f1.8, a 35mm f2 and a 35mm f1.4.
Short Portrait (75mm to 85mm equivalent)
50mm on 1.5x or 1.6x cropped digital SLRs.
50mm (f1.8 and f1.4) SLR lenses are considered some of the best lenses available: cheap and sharp.
On cropped digital SLRs, they become 75mm or 85mm equivalent portrait lenses, perfect for head-and-shoulders portraits. They make good first lenses for beginners. With a narrower field of view, their shallow depth of field is easier to use than wide angles. The expensive Canon f1.2 has even more extreme shallow depth of field.
Long Portrait (135mm equivalent)
85mm on 1.5x or 1.6x cropped digital SLRs.
These lenses are used like short portrait lenses, only at a greater distance. They are good for casual photojournalistic-style portraits, allowing the photographer to be far enough to not draw attention to himself. Being further away also reduces disruptions to events such as wedding ceremonies.
The Canon and Nikon 85mm f1.8 lenses are affordable and relatively light. The Nikon 85mm f1.4 version is significantly larger and more expensive. Canon has no 85mm f1.4 but sells a 85mm f1.2 instead, which is even larger and more expensive than the Nikon f1.4.
Resources
- 50mm F1.4 versus 50mm F1.8. Which SLR Prime Lens is better?
- Best Nikon Digital SLR Camera. Nikon lens compatibility.
- SLR Professional versus Kit Lens. Premium lenses compared to consumer zooms.
- Gary Voth on the forgotten 50mm lens
- Members of the Wedding Photojournalist Association discuss their lenses
Yuen Kit Mun - Kit Mun is a self-confessed information junkie, reading an average of a book a week over the past two decades. His growing Internet ...
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